When the Netflix documentary 'The Tinder Swindler' premiered on February 2, 2022, it shone a spotlight on a romance fraud operation that had victimized women across Scandinavia and Europe. Directed by British filmmaker Felicity Morris, the documentary tells the story of Shimon Hayut, an Israeli con artist who operated under the alias Simon Leviev, systematically manipulating victims through one of the world's most popular dating applications.

Hayut's scheme was deceptively simple yet psychologically sophisticated. He created an elaborate false identity, claiming to be the son of Israeli diamond magnate Lev Leviev — a claim with no basis in reality. Through Tinder, he cultivated romantic relationships with targeted women, establishing emotional bonds before transitioning into financial exploitation. The con involved a carefully choreographed narrative: Hayut would claim he faced threats from business rivals, needed urgent financial assistance, or required help securing assets. To maintain the illusion of wealth and legitimacy, he chartered private jets for his victims, showered them with luxury gifts, and created an atmosphere of exclusivity — all funded by money extracted from previous targets.

What made Hayut's operation particularly insidious was his theatrical approach to maintaining the facade. Some victims reported being asked to witness staged knife attacks, designed to reinforce his manufactured crisis narratives. This level of social engineering elevated the con beyond simple financial fraud into psychological manipulation territory that law enforcement and academic researchers have come to recognize as a hallmark of transnational romance scams.

The documentary centers on three primary victims, including Cecilie Fjellhøy from Scandinavia, who lost approximately $200,000 to the scheme. Pernilla Sjöholm and Ayleen Charlotte provide additional testimony that illustrates the emotional and financial devastation inflicted by Hayut's operations. Their accounts reveal a pattern: initial charm, escalating requests for money, promises of repayment, and ultimately, abandonment once the financial well ran dry.

Investigative work detailed in the film suggests Hayut defrauded approximately $10 million from victims worldwide. The geographic spread of his operations — spanning Scandinavia, the UK, and other European nations — underscores how dating app fraud operates across borders with minimal regulatory oversight. His 2011 flight from Israel to avoid prosecution on fraud charges marked the beginning of his international criminal career.

Hayut's criminal history included a 2015 arrest in Finland following complaints from three women he had conned. He served approximately two years of a sentence before his eventual release. However, his capture did not end his illicit activities. In a significant development in 2025, Hayut was arrested following an Interpol red notice, marking a renewed effort by international law enforcement to hold him accountable for his broader operations.

The success of 'The Tinder Swindler' spawned a follow-up series, 'Love Con Revenge,' released on Netflix in September 2025. The continuation shifts focus to document efforts by original victims to expose similar con artists operating on dating platforms, reflecting growing awareness among both victims and platforms about romance fraud.

The case has broader implications for international law enforcement and tech companies. Dating app fraud remains one of the fastest-growing categories of financial crime, with victims often reluctant to report due to shame or social stigma. The Hayut case, amplified by Netflix's global reach, has contributed to increased public literacy around romance scams and the psychological tactics deployed by perpetrators.

For Scandinavian countries specifically, the case highlighted vulnerabilities in cross-border financial crime investigation and the limitations of national legal systems in pursuing offenders who operate internationally. It also sparked conversations about victim support infrastructure in Nordic countries, where social services are comparatively robust but often unprepared for the specific trauma associated with romance fraud.